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DAVID CARR-SMITH 2005 : all images & text are copyrighted - please accredit
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CONTENTS
4 SITES
TETTERODE
DE LOODS
EDELWEIS
APPENDICES
NOTES
SUB-SITES
BOOK: DAVID CARR-SMITH - IMPROVISED ARCHITECTURE IN AMSTERDAM INDUSTRIAL SQUATS & COLLECTIVES
"TETTERODE" SQUAT 1981-/COLLECTIVE 1986 to-- - p4(of 18)
RESIDENTIAL DOMAINS - DACOSTAKADE BUILDINGS
<
TETTERODE - p1: INTRODUCTION <
< TETTERODE -
p2: PUBLIC-USE & WORK-SPACES <
<
TETTERODE - p3: RESIDENTIAL DOMAINS <
TETTERODE - p4: DACOSTAKADE BUILDINGS: MERKELBACH & HARTCAMP
> TETTERODE - p5: DACOSTAKADE: MERKELBACH APTS - mb//mb1/mb2 >
> TETTERODE - p6: DACOSTAKADE: MERKELBACH APTS - mb3 >
> TETTERODE - p7: DACOSTAKADE: MERKELBACH APTS - mb4 >
> TETTERODE - p8: DACOSTAKADE: MERKELBACH APTS - mb5/mb6 >
> TETTERODE - p9: DACOSTAKADE: HARTCAMP APTS - hc//hc1/hc2 >
> TETTERODE - p10: DACOSTAKADE: HARTCAMP APTS - hc3 >
> TETTERODE - p11: DACOSTAKADE: HARTCAMP APTS - hc4(1) >
> TETTERODE - p12: DACOSTAKADE: HARTCAMP APTS - hc4(2) >
> TETTERODE - p13: DACOSTAKADE: HARTCAMP APTS - hc5/hc6 >
> TETTERODE - p14: BILDERDIJKSTRAAT BUILDINGS >
> TETTERODE - p15: BILDERDIJKSTRAAT APTS - bd//bd1 >
> TETTERODE - p16: BILDERDIJKSTRAAT APTS - bd2 >
> TETTERODE - p17: BILDERDIJKSTRAAT APTS - bd3 >
> TETTERODE - p18: BILDERDIJKSTRAAT APTS - bdN >
.
THE DACOSTAKADE BUILDINGS [dc: mb/hc]
[Written
mid 1990s]
The
large eastern block [dc] facing the Dacostakade canal consists of two joined buildings: the 1912
Hartkamp [hc] and the 1949 Merkelbach [mb]. The two buildings have 8 levels in common. Below
ground [L0-1] are rented basement work-spaces, mainly on the Merkelbach side. Ground level
[L0] is workshops in Merkelbach, the Dijk Theatre and small
businesses in Hartkamp. L1 (known as the "Entresol" because of its relative shallowness) is
businesses in Merkelbach, apts in Hartkamp. Above L1 both buildings have five
apt floors [L2 to L6]. L5 is the last lift-stop and from there one
climbs the stair to the last apt level [L6]: the mb/hc ‘penthouse’. Above this rises
only a small glass 'look-out' pavilion [L7] with a stair to its roof terrace
and radio tower [L8]. This
whole Dacostakade side of Tetterode developed largely as one in its pre- and
early-domestic phases: starting as flimsily divided artists studios, changing in
the late 1980s to a live-in situation: a mix of apt and studio space divided by
solid walls. Since then the buildings have diverged (curiously in tune with
their architectural character). The Merkelbach [mb], a building that gives the
impression of single-minded dedication to work, is still artist/studio
dominated, whereas the older Hartcamp building [hc], that dallies with ‘domestic’
styles, is now socially mixed and (like the Bilderdijk [bd] block) has devolved
into socially different floors, more densely occupied than Merkelbach’s,
with smaller and more intricate spaces. Its less industrial character has
allowed the sense of domesticity to accumulate, while the monolithic austerity
of Merkelbach has not been contradicted. . INSIDE
THE DACOSTAKADE BUILDINGS
[Written
mid 1990s]
Entering at
Dacostakade 158 on the edge of
the old building (perhaps with a key on a kite-string thrown from a high window)
one traverses a bent passage that squeezed the mis-calculated theatre-wall into
a curve flanked by terminal ‘rustication’ [1] - the strange wall is
flush-set with panels of face-height glass and mirror, redeeming the mistake as
‘art’: the introduction to the severe and serious practicality of
Merkelbach. If one misses the lift and stair one can wander into a ground
floor that is a confusion of junctions between disparate places and routes,
left-overs of piecemeal enclosures (mostly of workshops), winding across the
width of the site in a single-story muddle of layered bikes and ad hoc
conversions strangely giving way to 1920s panelling, mirrors and marble, a
silent cool empty fossil foyer opening into the traffic-roar of the
Bilderdijkstraat [2]. The lift in its cluttered dark corner (opposite uninvitingly
large stairs - they have the scale of climbing a house between each floor)
stares orange out of its doors’ eyes: steel-rimmed portholes open into a blood
red box lit by a tungsten bulb; heavy steel doors swing open as if to a
banqueting room. One rises past the inside lips of floors and daylight-flashing
ports in numbered doors [3]. On five lift-levels the smooth valves of the lift doors are
flanked by locked and belled floor doors - riveted, with strap-hinges, severe
rectangular stares and small handle-noses. Each leads into a floor-enclave: 1949
Merkelbach on the west hand, 1912 Hartcamp on the east. On these landings one
can feel stranded high-up in a senseless place locked out of Tetterode’s inner
life. However once inside there is rarely the communal sense of the
Bilderdijk enclaves; on all these floors a more or less straight central
passage serves the living-spaces, doors to the right, left, and end. In
Merkelbach especially even these inner doors are almost always closed and often
locked: there is a working rather than domestic atmosphere...it feels as if the
severe concrete floors/ceilings and the cement-block and boarded walls are too
simple to hide rich and complex apartments, they resemble those in
studio-converted warehouses. Indeed in 1985 the Collective had decided to reserve
Merkelbach for studios and relocate studios when vacated in other
buildings...distilling domesticity. However in spite of this policy, by 1994
Merkelbach had at least 13 living-spaces among its studios, and behind its
austere inner facades are some of the most developed and ambitious apts in Tetterode.. After the ‘86 legalisation a ‘stick and carrot’
situation pertained: the new rents (approx 1000% rise over squat levels) and the
inducement of Het Oosten’s internal renovation fund precipitated an intense
period (‘87-’88) of building - except for two spaces walled in ‘85,
divisions had previously been plastic curtains or flimsy wood and board, now
everywhere was divided by cement-block walls. Separation of work and home was
financially unsustainable - apartment construction was stimulated and the huge
studio spaces differentiated internally or were simply divided into work and domestic portions.
Dacostakade's highest living level
(mb-L6/hc-L6) is a steel and glass-walled ‘penthouse’ that opens north and south from the top landing of the
central stair. Its Merkelbach wing was the workers' canteen, stepped back under a shading
roof and served by a railed pavement - now divided into three magnificent
studio/apartments. Its 1963 extension across the Hartcamp building was the ‘directors
dining-suite’ which terminates at its S end in a little glass room shaded under
the slatted ‘bris-soleil’ of its extended roof, opening on a terrace rimmed
with a steel ships rail - guarding a dizzy drop into the central courtyard with its long
brick chimney rising up and past - now a grass lawn strewn with a child’s toys
and edged with flowers - a ‘suburban garden’ absurdly high above the domestic
roof-tops of the Kinkerstraat. Almost since the squat’s inception the glass
room has been the bedroom of Frank April, and the adjoining ‘dining-room’,
now a single huge decor-stripped space with an oil-drum wood-stove, his studio/living-room. The little “sky-garden” is a
Collective place - the termination of a stair that winds
down Hartcamp's south east corner to street entry Dacostakade 164, serving as exclusive
access to every Hartcamp enclave level below.
The climb to Tetterode's ultimate peak begins between the two wings of the ‘penthouse’. An elegant steel stair twists
up into a tiny glass pavilion like the ‘look-out’ of an airship, furnished
with mats and empty wine bottles. Outside and higher still up steel steps, one
stands on its head at 31 meters - Tetterode’s final platform but not its
highest point, here a 12½ metre lattice radio transmission mast rises and the whole horizon
of Amsterdam surrounds it.
It
was said that it took “half a year” to mutually decide to re-build the
wall “five centimeters back” to allow access through the passage for
trolley-carts!
This
journey is shown in TETTERODE p1 -
INTRO The
lift has since had its character transformed by a top to
bottom 'ocean' painting made by Tetterode young people in 2006 [Ref:
NOTE-8: Tetterode's painted lift].
. DACOSTAKADE
CIRCULATION - MERKELBACH AND HARTCAMP CENTRE ENTRY AND STAIR/LIFT We will climb from
the residents' ground entry at Dacostakade 158 to the Dacostakade block's ultimate roof:
DACOSTAKADE: ENTRY 158 - TO CENTRE STAIR/LIFT FOYER At
the north end of the Hartcamp building there are 2 entry doors. On the left
(south) is the public entry into the Dijktheatre, on its right (north) is the
residents' entry (Dacostakade 158) - this opens (via a passage) into the central
stair/lift foyer of the Dacostakade block (the adjoining Hartcamp and Merkelbach
buildings), and from there via branching routes into the whole of
Tetterode.
DACOSTAKADE
L0: ENTRY 158
PASSAGE TO CENTRE STAIR/LIFT FOYER - WITH REBUILT DIJKTHEATRE WALL DACOSTAKADE
L0: ENTRY 158
PASSAGE TO CENTRE STAIR/LIFT FOYER
DACOSTAKADE L0: CENTRE FOYER - LITTER BESIDE THE LIFT Signs
of residency: objects left beside the lift, presumably for later disposal.
DACOSTAKADE L0: CENTRE FOYER - LITTER BESIDE THE LIFT
DACOSTAKADE
L0: CENTRE FOYER LIFT & STAIR In
the late 90s Tetterode's circulation routes were cleaned and repainted and
the lift was given scarlet doors - the
fascinating industrial grey gloom of the mid 90s was somewhat dispelled.
DACOSTAKADE:
CENTRE LIFT - INTERIOR (pic
08-1993 / to NE) The
lift interior of the mid-90s was austere dark dried-blood red with white
sprayed text.
DACOSTAKADE L0: CENTRE LIFT - INTERIOR OF DOOR (CHILDRENS' PAINTING 2006)
(pic
30-04-2008 / to W)
When re-visited in 2008 the
lift displayed the presence of Tetterode's young. On the 'wall' of doors and
floor-sections that the lift (an open fronted steel box) passes on its
vertical journeys they had painted a continuous under-sea theme that climaxes at
each door-level as an individual scene. The lift scans its open-front up
and down across the surface of this huge scroll-like painting and when it stops
presents that floor's portion as a 'picture'. [Ref:
NOTE-8: Tetterode's painted lift]
DACOSTAKADE:
CENTRE LIFT - INTERIOR REWIRED LAMP (pic
08-1993 / to S) An
economical adaptation: the once bulb-lit lift-lamp is now used as a kind of glass pot in which
stands a (fragile) fluorescent tube, wired to the bulb terminals.
DACOSTAKADE L0: CENTRE FOYER STAIR & EXIT TO COURTYARD
(pic
15-04-2008 / to SSE )
DACOSTAKADE L0: PASSAGE TO COURTYARD FROM CENTRE FOYER
(pic
16-04-2008 / to N)
DACOSTAKADE L0: PASSAGE TO COURTYARD FROM CENTRE FOYER (pic
4-05-2008 / to SSE )
DACOSTAKADE L0: CENTRE FOYER STAIR & ENTRY FROM COURTYARD
(pic
16-04-2008 / to SW )
DACOSTAKADE L0 TO L1: CENTRE STAIR/LIFT HALF-LANDING (NIGHT)
(pic 08-1993 / to E)
DACOSTAKADE L1: CENTRE STAIR/LIFT LANDING - mb1 ENTRESOL LOBBY
(pic 12-04-2006 / to NNW)
DACOSTAKADE L1 TO L2: CENTRE STAIR/LIFT HALF-LANDING (NIGHT)
(pic 28-04-2008 / to NE)
At
night on the upper levels the reddened lift doors have hardly dislodged the
sinister industrial gloom.
DACOSTAKADE
L2: CENTRE STAIR/LIFT LANDING
(pic 25-04-2008 / to N)
The entry door of enclave mb-L2.
DACOSTAKADE
L2: CENTRE STAIR/LIFT LANDING AND BRIDGE FOYER
(pic 5-05-2008 / to W)
Levels 2 and 3 landings extend south into Hartcamp enabling access to the L2 and
L3 bridges to the west-side Bilderdijk old building.
This is the lower of the two bridges that connect the two residential blocks.
DACOSTAKADE
L2: CENTRE STAIR/LIFT LANDING
(pic 12-04-2006 / to SW)
The entry to the left is into the bridge foyer.
DACOSTAKADE
L3: CENTRE STAIR/LIFT L3 LANDING (NIGHT) (pic
08-1993 / to E) The
lift's double-door faces us, the left double-door is Merkelbach L3 enclave.
The right opening accesses the door of Hartcamp L3 enclave and the upper
bridge to Bilderdijk. DACOSTAKADE
L3: CENTRE STAIR/LIFT LANDING
(pic 18-04-2008 / to N)
The entry door of enclave mb-L3.
DACOSTAKADE
L3: CENTRE STAIR/LIFT LANDING - BRIDGE FOYER WITH HARTCAMP ENCLAVE ENTRY (NIGHT)
(paste-up 2-pics 28-04-2008 /
to SE)
DACOSTAKADE
L3: CENTRE STAIR/LIFT LANDING - BRIDGE FOYER: N SIDE DEFUNCT PASSENGER LIFT
(pic 2-05-2008 / to NNE)
DACOSTAKADE
L3: CENTRE STAIR/LIFT LANDING - BRIDGE FOYER
(pic 22-04-2008 / to W)
This is the upper of the two bridges that connect to Bilderdijk old building.
DACOSTAKADE
L3: CENTRE STAIR/LIFT
LANDING (NIGHT) (pic
28-04-2008 / to W) DACOSTAKADE
L3 TO L4: CENTRE STAIR/LIFT HALF-LANDING - WINDOW
(pic 5-05-2008 / to WWS)
At this level there is a view out over the two bridges to the Bilderdijk
building
DACOSTAKADE
L4: CENTRE STAIR/LIFT LANDING (NIGHT)
(pic 30-04-2008 / to NE)
DACOSTAKADE
L4: CENTRE STAIR/LIFT LANDING - 'SCULPTURE' (NIGHT)
(pic 30-04-2008 / to NNE)
A mass of
plaster that seems to have hardened in a plastic bag and a core cut through
the thickness of a wall, probably during the 1986
gas installation.
DACOSTAKADE
L4: CENTRE STAIR/LIFT LANDING
(pic 2-05-2008 / to N)
'Meaningless'
and/or 'inexplicably located' objects stimulate an atavistic fear and an
automatic interpreting; such occasions often have a
tinge of animism, an alert sense of live presence: a translation of inexplicable
identity and location into an unpredictability proper to a live thing. (A dream:
the enclave door is open and the plaster lump which seems to live
on the landing like a fat worm seems blindly attracted to it.)
DACOSTAKADE
L4: CENTRE STAIR/LIFT LANDING WITH ENTRY TO HARTCAMP FOYER
(pic 2-05-2008 / to SE)
DACOSTAKADE
L4: CENTRE STAIR/LIFT LANDING - HARTCAMP FOYER: HAND-CARTS AND
ELECTRIC-DISTRIBUTION ROOM
(pic 2-05-2008 / to NNE)
DACOSTAKADE
L4: CENTRE STAIR/LIFT LANDING - HARTCAMP FOYER & hc4 ENCLAVE DOOR
(pic 27-04-2008 / to SE)
DACOSTAKADE
L4: CENTRE STAIR/LIFT LANDING
(pic 2-05-2008 / to WWN)
DACOSTAKADE
L4/5: CENTRE STAIR VIEW DOWN TO L4 LANDING
(pic 24-09-2007 / to NE)
DACOSTAKADE
L4/5: CENTRE STAIR/LIFT HALF-LANDING - WINDOW VIEW
(pic 5-05-2008 / to SSW)
DACOSTAKADE
L5: CENTRE STAIR/LIFT LANDING
(pic 24-09-2007 / to N)
DACOSTAKADE
L5: CENTRE STAIR/LIFT LANDING
(pic 24-09-2007 / to SW)
DACOSTAKADE
L5/6: CENTRE STAIR/LIFT HALF-LANDING
(pic
19-04-2008 / to EEN) DACOSTAKADE
L6: CENTRE STAIR FROM L6 LANDING - VIEW DOWN
(pic
18-04-2008 / to SW) DACOSTAKADE
L6: CENTRE STAIR LANDING - WITH STAIR TO L7 'LOOKOUT' PAVILION
(pic
08-1993 / to SSW) Adorning
the landing's west side is the small steel enclosure of Merkelbach's elegant
spiral-stair up to his little L7 'look-out' pavilion. DACOSTAKADE
L6: CENTRE STAIR LANDING - EAST SIDE WITH PENTHOUSES' LOBBY
(pic 19-10-2006 / to
NNE) The
east side of the ultimate landing. The centre door is the redundant
passenger lift (the big freight lift terminates at L5); to the right is the
lobby of the Hartcamp 'penthouse' and exit to the Merkelbach 'penthouse'. DACOSTAKADE
L6: CENTRE STAIR LANDING - EAST SIDE PENTHOUSES' LOBBY
(pic 24-09-2007 / to E)
To the right is the door
into Hartcamp's 'penthouse' - the directors' dining room, now Frank April's
living-space and studio. Ahead is the exit onto a small terrace from which
the three Merkelbach 'penthouse' apts are accessed.
DACOSTAKADE
L6: CENTRE STAIR LANDING - STAIR TO L7 'LOOKOUT' PAVILION
(paste-up
2-pics 19-04-2008 / to SSE)
DACOSTAKADE
L6/L7: STAIR FROM L6 LANDING UP TO L7 'LOOK-OUT' PAVILION
(pic
19-04-2008 / to S)
Merkelbach's
steel and glass enclosed stair up to its 'look-out' pavilion.
DACOSTAKADE
L7: STAIR DOWN TO L6 LANDING FROM 'LOOK-OUT' PAVILION (pic
19-10-2006 / to SE)
DACOSTAKADE L7: 'LOOK-OUT' PAVILION
(pic
19-04-2008 / to W)
DACOSTAKADE L7: 'LOOK-OUT' PAVILION Beyond
the 'pillar'-chimney is an exit to the Merkelbach building's main
(penthouse) roof
and a stair up to the 'look-out' room's roof-terrace
DACOSTAKADE L7: 'LOOK-OUT' PAVILION
The 'look-out' room seen through the open door to the Pavilion's exterior stair
up to its roof terrace.
DACOSTAKADE L7: 'LOOK-OUT' PAVILION WITH STAIR UP TO ITS L8 ROOF-TERRACE
(pic 19-04-2008 / to NE)
The look-out' pavilion from Merkelbach's roof. The pavilion's
door accesses boat-like steps to Tetterode's highest place, the pavilion's
L8 roof-terrace. One may also climb over their railing onto Merkelbach's main roof.
DACOSTAKADE
L8/L7: MERKELBACH'S
L7 ROOF FROM THE 'LOOK-OUT' PAVILION'S
ROOF-TERRACE
(pic 19-10-2006 / to NW)
From
the pavilion's L8 roof-terrace: a view over
Merkelbach's main
L7
(penthouse) roof.
DACOSTAKADE
L8: ROOF-TERRACE OF 'LOOK-OUT' PAVILION
(pic 08-1993 / to EEN)
From
the L8 roof: a view over the central-city. Radio-mast support-cables pass across
the view to Merkelbach roof's south-east corner.
DACOSTAKADE
L8: ROOF-TERRACE OF 'LOOK-OUT' PAVILION WITH RADIO MAST
(pic 19-10-2006 / to NE)
DACOSTAKADE
L8: ROOF-TERRACE OF 'LOOK-OUT' PAVILION - THE RADIO MAST
(pic 19-10-2006 / to NE)
. DACOSTAKADE
CIRCULATION - HARTCAMP SOUTH ENTRY AND STAIR We will climb from the
ground
entry at Dacostakade 164 to the Hartcamp building's top-level terrace: .
HOMES AND STUDIO-APTS IN THE DACOSTAKADE BUILDINGS
Unlike Merkelbach, whose enclave corridors
wander between the walled-in studio/apts like 'leftover space' and would
presumably be truncated cul-de-sacs if safety regulations had not required them to reach
the external fire escape, Hartcamp's floors are open to normal access at both
ends. Rising
through every level at Hartcamp's SE corner is a large lift encircled by a stair (2-bays long and almost
half the building's width) and room-sized
landings with locked doors to its enclaves. Thus, unlike Merkelbach, that shares the
Dacostakade Central Stair with every user of the block, Hartcamp has its own
exclusive
access directly from the street (and room-sized landings on all levels of this
stair, plus a floor-sectioned lift-shaft for storage). It seems possible
that (at least on L1/2/3/4) that Hartcamp's bracketing entries may have focussed the
'straight thoroughness' of its enclave corridors and thus the
disposition of its apts, whereas
Merkelbach's wandering access-ways are what one would expect where a (relatively
benign) competition for maximum living-space is of primary concern, when space divisions grow ad hoc
and enclave access corridors are, in terms of routine use, cul-de-sacs. Foot-Notes:
INA HEUVEL/GER BERGEVOET APT [hc-L4] p8.
It's
interesting to compare the SILO’s joined-up ‘neighbourhoods’ with
Tetterode's closed dc and bd floor-enclaves. Tetterode's are socially-local, ‘safe’,
locked, like shared hostel floors - unlike the SILO where apt facades open
onto open-circulation 'streets’ that may be ‘furnished’ with shared ‘pissoirs’,
bathrooms, store-spaces, but never kitchen-diners and telephones!
.
The following
nine pages will show 12 enclaves and 3 independent apartments, comprising
33 of Dacostakade's living-/work-spaces. First the
Merkelbach building [mb] and second the Hartcamp [hc]: .
<
TETTERODE - p1: INTRODUCTION <
< TETTERODE -
p2: PUBLIC-USE & WORK-SPACES <
<
TETTERODE - p3: RESIDENTIAL DOMAINS <
TETTERODE - p4: DACOSTAKADE BUILDINGS: MERKELBACH & HARTCAMP >
TETTERODE - p5: DACOSTAKADE: MERKELBACH APTS - mb//mb1/mb2 > >
TETTERODE - p6: DACOSTAKADE: MERKELBACH APTS - mb3 > >
TETTERODE - p7: DACOSTAKADE: MERKELBACH APTS - mb4 > >
TETTERODE - p8: DACOSTAKADE: MERKELBACH APTS - mb5/mb6 > >
TETTERODE - p9: DACOSTAKADE: HARTCAMP APTS - hc//hc1/hc2 > >
TETTERODE - p10: DACOSTAKADE: HARTCAMP APTS - hc3 > >
TETTERODE - p11: DACOSTAKADE: HARTCAMP APTS - hc4(1) > >
TETTERODE - p12: DACOSTAKADE: HARTCAMP APTS - hc4(2) > >
TETTERODE - p13: DACOSTAKADE: HARTCAMP APTS - hc5/hc6 > >
TETTERODE - p14: BILDERDIJKSTRAAT BUILDINGS > >
TETTERODE - p15: BILDERDIJKSTRAAT APTS - bd//bd1 > >
TETTERODE - p16: BILDERDIJKSTRAAT APTS - bd2 >
(pic
4-05-2008 / to WWS)
(pic 08-1993 /
to EES)
(pic 15-04-2008 /
to NNE)
(pic 6-05-2008 / to NNW)
(pic 16-04-2008 / to N)
(pic 15-04-2008 /
to EES)
Level 1 is the only landing whose north (Merkelbach) entry is recessed,
forming a lobby to the mb1e enclave of work-spaces [ref: 'Work-Zone
3 - "Entresol"']. An isolated apt opens on the
lobby's east side [door right]. Behind us, on the south (Hartcamp) side hc1e is
a residential enclave and from the next level up all the block's spaces and enclaves are
(almost)
exclusively residential.
(pic 08-1993 / to EEN)
(pic 08-1993 / to EES)
[Written 4-1996 and 2008]
Noticeable in the mid 90s was a new stage in the evolution of Dacostakade’s living-spaces:
the advent of elaborate, self-contained, sometimes ‘family homes. However at
that time, apart from an
extraordinary example in Hartcamp [1], this development was almost
exclusive to Merkelbach where spaces are usually large enough to contain
‘houses’ rather than ‘elaborated bed-sits’, and where as ‘working-artists’
the inhabitants seem more independent of each other - bound together, if at all,
more by shared responsibility for work conditions than sociability. Inside
Hartcamp's more vocationally mixed floors the sense of a social-enclave is strong [2]
- reinforced by the straight centre corridors whose rows of apt doors visibly signal 'sharing';
exhibited in the obviously shared telephones, bathrooms, and socially used
sitting/eating rooms with pictures, tv, sofa, and ‘private’ domestic objects
‘lying around’; all affording a 'hostel-like' atmosphere - very different from (for instance) mb-5’s tiny ‘left-over’
tiled cooking-space, with its empty cupboard and dusty drainer! [mb-5
Kit].
.
CONTENTS | 4 SITES | TETTERODE | DE LOODS | EDELWEIS | APPENDICES | NOTES | SUB-SITES |