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BOOK:
DAVID CARR-SMITH - IMPROVISED
ARCHITECTURE IN AMSTERDAM INDUSTRIAL SQUATS & COLLECTIVES
"GRAIN-SILO"
SQUAT 1989 to 1998
GROUND FLOOR - p4(of 4) :
the
LIVING-SPACES
<
SILO - INTRO <
< GROUND-FLOOR p1 <
< GROUND-FLOOR p2 - LIVING-SPACES <
< GROUND-FLOOR p3 - LIVING-SPACES
- cont<
GROUND-FLOOR p4 - LIVING-SPACES - cont
> CENTRAL-STAIR >
.
the GROUND-FLOOR LIVING-SPACES - cont ... in
process
[NB: Apartments are designated by the names
of their present occupiers - who are not necessarily their makers]
Ten
of the Ground-Floor’s eleven private-spaces are shown below and on pages 2
& 3:
THE SOUTH WING LIVING-SPACES:
ERNST (19## -) [Chambers
5/6 (S)]
FRED (1989 -)
[Chambers 2/3 (S)]
ROLF (19## -) [Chamber 4 (S)]
MILOU (1989 -)
[Chambers 9/10 (S)]
YOURI (1990 -) [Chamber 11 (S)]
THE NORTH WING LIVING-SPACES:
BART
(1989 -) [Hall & Chambers
1/2/3 (N)]
CONNIE (1990 -) [Chamber 4 (N)]
DURO (19## -) [Chamber 5 (N)]
AREND
(1989 -) [Chambers 8/9/10 (N)]
HUUB (19## -) [Chamber 11 (N)]
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SILO - GROUND-FLOOR PLAN (WITH APT NAMES) (info 1995)
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the NORTH WING - cont ...
CONNIE’s is a later, one-chamber apt, which extends over the access
gallery and its separate Gang jewellery-workshop as a glazed mezzanine.
DURO's is a single chamber two-thirds-width
space - rather cell-like with its single high window and no mezzanine; however
its Gang store-cell opposite its facade, has been uniquely fitted with a
windowed platform supporting a simple living-space (used by a guest).
AREND’s three-chambered two-thirds-width living-space contains a complex
variety of interlocking functional spaces, including a bakery and a
music-studio.
HUUB's is a single chamber two-thirds-width
space with a single high window lighting a window-fronted mezzanine.
.
CONNIE
SPUYBROEK LIVING-SPACE
(1990 -) [Chamber 4 (N)]
Moving
into the Silo already one year after the squatting Connie acquired only one of
its long narrow transverse chambers.
One end opens onto the quay, the other lifts as a mezzanine over the
enclave’s corridor and her shop-like jewellery studio - whose glass facade
faces her ‘front-door’ from across the ‘street’ of the Gang. The long space accumulates leisure as it deepens: starting as a bike
and
(a second) jewellry work-place, changing to a kitchen and then - passing under the small bed-platform supported below the steel rafters in its steel frame - acquiring a yellow boarded floor
and becoming a living room heated by a complex stove and opening through a glazed door onto its portion of
Quay.
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CONNIE APT: JEWELLERY STUDIO IN GANG
CELL-4 WITH APT MEZZANINE ABOVE
(pic
9-94 / to SW)
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CONNIE APT: GANG-ENTRY &
W-SIDE MEZZANINE FROM
BED
(pic
6-94 / to SW)
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CONNIE APT: ALL FROM W-SIDE
MEZZANINE ENTRY
(pic
9-94 / to E)
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CONNIE APT: ALL FROM GANG-ENTRY
(pic
9-94 / to EEN)
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CONNIE APT: KITCHEN-WALL
(pic
9-94 / to SW)
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CONNIE APT: FROM SIT-SPACE TO W
(pic
9-94 / to SSW)
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CONNIE APT: BED
(pic
9-94 / to W)
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CONNIE APT: BED PILLAR &
STEPS
(pic
9-94 / to WWN)
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CONNIE
APT: SIT-SPACE FROM BED PLATFORM
(pic
6-94 / to E)
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CONNIE
APT: N-WALL CENTRE TABLE
(pic
6-94 / to NW)
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CONNIE APT: SIT-SPACE & QUAY DOOR
(pic
6-94 / to NE)
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CONNIE APT: SIT-SPACE & QUAY DOOR
(pic
9-94 / to N NE)
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CONNIE APT: SIT-SPACE MIRROR & STOVE
(pic
6-94 / to NE)
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CONNIE APT: SIT-SPACE STOVE
(pic
6-94 / to NE)
Connie and her friend Allaert designed
and
he welded it. Not so much a stove as an elaborate flue which stands over its
hearth like a huge candle-snuffer with an open top. The 95cm high steel cone
(outlet of some grain hopper) supports in its centre a helix of water pipes
connected to an under-floor system feeding two street-scavenged radiators.
The ‘expansion-tube’ rising from the hot water outlet pipe
and
the ‘crown-of-flames’
are Allaert’s college welding exercises. The hearth, a hollow circle of
fire-bricks resting on the Silo’s concrete floor, is filled
and
cleaned
through an added door (a common type of Silo scrap, its glass was added).
Note the exquisite silver pearl-like bike-padlock
fortuitously poised between the crown’s flame-fingers ... in a context of
invented objects commonplace acts
and
things are rich!
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CONNIE APT: EXTERIOR DOOR FROM QUAY TERRACE
(pic
9-94 / to WWN)
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DURO TOOMATO LIVING-SPACE (19## - )
& SIMONA LEVI GUEST SPACE (19## - )
[Chamber 5 (N)]
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DURO APT:
(pic
6-94 / to E)
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DURO APT:
(pic
6-94 / to SW)
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DURO APT: PARACHUTE OVER E-END PLATFORM
(pic
6-94 / to W)
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DURO: SIMONA
LEVI'S 'GUEST-APT' IN GANG
CELL-5 WITH DURO'S STORE BELOW
(pic
6-94 / to W)
A little 'guest-apt' with no facilities beyond sleeping and sitting; accessed from
the Gang up a silo ladder, through a glazed scrap-door in its scrap-windowed
facade, and from the outside Dijk through its platform-level window.
The
apt was designed and built by Simona in May 1994, materials were collected 'slowly' then it was made in 4 days. The apt required only
a facade and a wooden support structure; the latter was a 'table' of 4 pillars with 2 'wall-plates' fixed to the side walls,
and 3 joists across supporting the floor.
The red floor was found in 4 sections, the facade's 'balcony' projection was inherent in its shape; its curved facade wood was as-found; its door
and windows
were "around". The projecting silo-pipes were cut off by Bart and sealed by Duro with "moose-spray". The ceiling's reflecting-plastic mirrors light into the Gang
(an earlier structure in this store was disallowed as it blocked the Gang's light).
In the store beneath is staging from Duro's theatre work "Boo Ha Ha".
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DURO: SIMONA 'GUEST-APT'
(pic
6-94 / to E)
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DURO: SIMONA 'GUEST-APT' - VIEW
THROUGH GANG-ENTRY DOOR-GLASS
(pic
6-94 / to W)
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DURO: SIMONA 'GUEST-APT' - VIEW OUT
THROUGH ITS DIJK-WINDOW EXIT
>(pic
6-94 / to W)
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AREND
HEYTING LIVING-SPACE (Winter 1989 - ) [Chambers 8/9/10 (N)]
One of Arend's three chambers is a bakery and icecreamery with a built-in
improvised oven - from here he supplies the Silo (and its visitors) with several types of
bread, rolls, cakes (and wonderful ice-cream). His other two
chambers are a complex of interlocking spaces concerned with music production, workshop,
storage and domesticity. His big living-space has three entries: a door
from the Gang, his bakery 'side-door' from the open/unoccupied chamber-7, and a
'back-door' onto the Quay.
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AREND APT: CHAMBER 7 - ENTRY
DOOR TO AREND'S CHAMBER 8 BAKERY
(pic
9-94 / to EEN)
Chamber
7 is an access-way to the Quay - in the wooden wall that now fills
its east conveyor opening is Arend's 'shop-door' to his bakery and
icecreamery - the more 'public' of his three living-space entries.
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AREND APT: CHAMBER 7 - ENTRY
DOOR TO AREND'S CHAMBER 8 BAKERY
(paste-up
2-pics
9-94 / to NNW)
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AREND APT: CHAMBER 8 - BAKERY EXIT DOOR
(pic
9-94 / to SSE)
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AREND APT: CHAMBER 8 - BAKERY
(pic
9-94 / to EEN) Arend's
bread oven is a brick
and
steel construction, improvised from Silo
installations.
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AREND
APT: CHAMBER 9 -
(pic
6-94 / to WWS)
The
far left door opens from the bakery into the first of the two domestic
chambers, viewed here from under its east
end bed platform [see pic below]. This is mainly a music-making space and facing us is the wall of an electronic music-studio. On the left is
the Silo's only example of an oil-drum stove
[see next pic].
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AREND
APT: CHAMBER 9 - STOVE
(pic
9-94 / to SSE)
The
most primative type of squat stove - an oil-drum. However this one has
developed: fitted with a Silo inspection-door(?) and bolted to a chimney of
Silo chutes and pipes. Behind it stands a little manufactured [oil?] stove
which drapes
its chimney of scrapped air-con tubing along the big stove's rigid outlet
pipe [see previous pic].
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AREND
APT: CHAMBER 9 - MUSIC-STUDIO
(pic
6-94 / to WWS)
Arend's
"Electronic Music Studio" was started in spring 1990. It was
later walled in to exclude dust and external sounds (its
window is double-glazed). The ceiling tent catches dust and the lowered
space needs less heating and helps sound quality.
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AREND
APT: CHAMBER 9 - BED-PLATFORM & SITTING-PLACE
(pic
6-94 / to EEN)
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AREND
APT: CHAMBER 9 -
(pic
6-94 / to NNE)
Across
the chamber's windowed east end is the bed-platform; on our left the
music-studio's door is open; ahead is a curtained entry to the second
domestic chamber.
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AREND
APT: CHAMBER 10 - FROM QUAY DOOR TO GANG
(pic
9-94 / to NW) Arend's
third chamber, his second domestic space. Under a glazed platform, at thje
chamber's far end is an open door into the Gang.
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AREND
APT: CHAMBER 10 - FROM QUAY DOOR TO GANG
(pic
6-94 / to W)
The
second domestic chamber from near its Quay door. The open door at its far
end reveals the store-space on the Gang's west side.
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AREND
APT: CHAMBER 10 - FROM THE CHAMBER 9 ENTRY TO THE QUAY DOOR
(pic
6-94 / to EEN)
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AREND
APT: CHAMBER 10 - ENTRY FROM QUAY TERRACE
(pic
6-94 / to W)
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HUUB BONGERS APT
(199# - ) [Chamber 11 (N)]
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HUUB
APT: CHAMBER 11 -
NORTH FACADE FROM OPEN-CHAMBER 12
(pic
9-94 / to EES)
The originator
of this living-space blocked the wall's east conveyor-path gap with a
wooden wall faced on both sides with street-found carpet and, on the
outside orange plastic sacks(?).
Note the planking covering the conveyor trough across the floor.
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HUUB
APT: CHAMBER 11 - GANG FACADE
(pic
6-94 / to E)
The originator
of this living-space built his apt's facade from thick wooden planks and
a domestic scrap 'front-door'. Huub's
additions are its covering of street-found carpet; the door's dynamic
wallpaper and accompanying ironic chute 'column'; a Bauhaus exhibition
poster 'window view-in' (Huub is a designer) with its accompanying unruly
geometric chutes. A strange ensemble!
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HUUB
APT: CHAMBER 11 - ENTRY FROM GANG & WORK-AREA
(pic
9-94 / to WWS)
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HUUB
APT: CHAMBER 11 - ENTRY FROM GANG & WORK-AREA
(pic
6-94 / to EEN)
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HUUB
APT: CHAMBER 11 - E-END UNDER MEZZANINE
(pic
6-94 / to EEN)
Beside
and under the table are thick white painted planks blocking the east
conveyor's wall-gap and floor-trough.
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HUUB
APT: CHAMBER 11 - MEZZANINE
(pic
9-94 / to E)
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^ Top
>
Next Page >
<
SILO - INTRO <
< GROUND-FLOOR p1 <
< GROUND-FLOOR p2 - LIVING-SPACES <
<
GROUND-FLOOR p3 - LIVING-SPACES <
^
GROUND-FLOOR p4 - LIVING-SPACES - cont
> CENTRAL-STAIR >