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BOOK: DAVID CARR-SMITH - IMPROVISED ARCHITECTURE IN AMSTERDAM INDUSTRIAL SQUATS & COLLECTIVES
"GRAIN-SILO" SQUAT 1989 to 1998
the CENTRAL STAIR - p1(of 1)
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the CENTRAL STAIR & ITS 'TOWER'
In the building's centre between the long silo blocks is a windowed 3-bay 'tower' capped with a huge wooden 'pyramid' - its impressive scale reduced by whimsical dormers and crenellated balustrades. Its principal mechanical function was vertical grain transport via bucket-conveyors from the Hall at its base to its "Pyramid" head-house, from which, via its great central attic the "Museum", it was sent to various parts of the building for processing, storage, or discharge.
The tower houses a long sequence of narrow wooden strangly domestic stairs (like a 19C tenement-block) - this 'Central-Stair' is the only common route from Ground to Attics. It serves three levels of conventional rooms (director's office, company admin-office, the lab & grain-factor's office); these, the only part of the Silo designed primarily for human functioning and already supplied with water/gas/electricity, were the first locations to be occupied. Above these the stair re-enters the industrial domain: on landing L-4 the 'domestic-style' stair ends and one must enter a door into part of an erstwhile grain weighing area - now a small 'lobby' containing the strange twisted stair-flight up to the "Museum".
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THE
SILO'S CENTRAL 'TOWER': E FACADE The central 'tower' between the silo-storage wings contains the Silo's only common vertical route: the ' Central-Stair' which, until the last commercial use in 1987, served the company offices and lab (windowed levels 1/2/3), which, already 'semi- domesticated' were sites of the Silo's first live-in occupation. L-0: the Central Hall - the portion that is now Bart's workshop - the centre window in his kitchen, the small one to its right is his "secret" exit. L-1: the erstwhile Silo director's and secretary's office overlooks the Ij and quays through an incongrously 'homely' bay- window - now FROUJKE & DIDERIK's apt. L-2: the main admin offices - now RUUD's and TON's apts. L-3: the grain testing lab - now Kimmer's apt [no records]. L-4: the mechanical functions resume (: ?weighing and bagging?). L-5 is the "Museum" the great central attic via which grain, bucket-elevated from the Hall to its "Pyramid" 'head-house', was distributed to the silo-filling conveyors of the North and South Attics. |
THE
SILO'S CENTRAL 'TOWER': W FACADE L-0: The Hall. L-1: The "elephant trunk" 'Slurf', projecting from of the central 'tower', housed a conveyor that filled Houthaven-moored barges. Under and behind the Slurf a former ?bagging hall was converted in 19## into the Silo's public art gallery, reached from the dijk up an external wooden stair. On its right is the window of a tiny room squeezed beside it (the temporary home of Sasha). L2: Onto the Slurf's top RUUD has extended his apt as a garden-terrace. L3: Oska's apt [no records] - probably in the erstwhile office of the grain-factor. L4: The 3 long lancets front DIDERIK and HUUB's huge store. On its right is the open front of what is now the "Museum's" hoist room L5: Over that a row of seven tiny 'windows tucked between the corbels send sunbeams into the dark cavity of the "Museum". |
THE
SILO'S CENTRAL 'TOWER': W FACADE - FROM THE SLURF'S PIER
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the CENTRAL STAIR AND ITS APTS
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CLIMBING
THE STAIR ...
Starting the 22m climb from the rear of the Hall of bikes to the "Pyramid" crowned "Museum", one looks up the stair-welI's narrow central slot threaded with water pipe, strung with bunched telephone cables (fuzed together in a recent fire, dribbling plastic and flashing strands of copper - but still working!), punctuated on each landing with the red drum of a fire-hose.
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CENTRAL
STAIR: L0: ENTRY AT REAR OF HALL |
CENTRAL
STAIR: L1: VIEW UP TO LANDING L-4 |
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CLIMBING THE STAIR ... cont ...
On the next three levels the atmosphere of 'offices' has been subtly skewed to 'apartment-house' by debris of domesticity: pinned photos, dying plants, shower-steam, beer bottles. The change starts on landing L-1 where a shower and wc face a glazed door that reveals what appears to be an ordinary home hallway - a strange suprise: a family flat.
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CENTRAL
STAIR: L-1 LANDING WC & SHOWER On landing 1, opposite the front-door of Froujke's and Diderik's apt is a wc and shower. A shared facility that they use as the bathroom of their apt. |
CENTRAL
STAIR: L-1 WEST - ART GALLERY A large chamber on the west side of the tower - housed the lower-end of the vertical conveyor (parts of the conveyor are at the rear of the room). Entered from the Dijk via its loading-platform up large wooden stairs under the Slurf, and from the Central stair L1 landing. Sometimes open to the public [Ref: SILO PUBLIC-ART] |
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FROUJKE K & DIDERIK M APT (19## - ) [L1 - E-side]
A family home established at the start of the squat. The ordinary rooms of these offices were easily adapted into homes; this was the Silo company Director's and boasts a house-type bay window overlooking Het Ij - incongruously projecting from the Silo's facade as if a suburban house was engulfed within the building.
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FROUJKE APT: ENTRY HALL View through to kitchen from 'front-door'. |
FROUJKE
APT: N-ROOM - TO KITCHEN END |
FROUJKE
APT: N-ROOM - CANDLE HOLDER .....in prep |
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FROUJKE
APT: N-ROOM - MIRROR Froujke made it from Silo sieve hung with her unsold jewellry. |
FROUJKE
APT: N-ROOM - TO WINDOW END |
FROUJKE
APT: N-ROOM - CHILD'S PLATFORM The raised child's platform and its steps is Diderik's: "for small people to look out". |
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FROUJKE
APT: N-ROOM - CHILD'S PLATFORM |
FROUJKE APT: S-ROOM BED/SIT (EX SILO
DIRECTOR'S OFFICE) The open window has a child-barrier across it. |
FROUJKE APT: S-ROOM BED/SIT - BAY WINDOW |
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FROUJKE APT: S-ROOM BED/SIT - BAY WINDOW VIEW TO NORTH |
FROUJKE APT: S-ROOM BED/SIT - BAY WINDOW VIEW TO SOUTH The Silo quay to the dukdalf and the Stenenhoofd (people are socialising on the quay). The Silo's Director could watch the loading and discharging of ships and barges: the discharge of grain into the conveyor of the quay; the suction derricks and large ships moored outside the dukdalfs. |
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CLIMBING THE STAIR ... cont
On the 2nd landing there are two apts (with seperate entries but linked together through a shared kitchen). There is also one of the Silo's strangest 'environmental psycho-shocks', all the more nightmarish for its location next to dwellings: an ordinary little brightly lit Vereniging office with desk, pin-board, steel-locker, and a door one assumes is the office store-cupboard. Open this and at ones feet and before ones face is a huge cavity crossed with platforms disappearing upwards into blackness, sometimes raining from the dark above; an abandoned silo - crumbling and hollow: a spatial/contextual lesion so unexpected I was precipitated on its brink into rapidly cycling memories of fragments of dreams.
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CENTRAL
STAIR: L2 LANDING - VERENIGING OFFICE The 'office-cupboard' door which opens directly onto an empty silo's gulf is at the rear corner. (The office is here in a stripped state - I have always regretted that I missed the opportunity to attempt to record this crucial phenomenon.) |
CENTRAL
STAIR: L2 LANDING - TO RUUD'S 'FRONT DOOR' |
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RUUD PANHUIZEN APT (Aug 1989- ) [L2 - W-side]
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RUUD & TON KITCHEN [L2 - W-side]
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RUUD
& TON KITCHEN Ruud's and Ton's apts are linked via this kitchen. |
RUUD
& TON KITCHEN WITH ENTRY TO TON'S LIVING-ROOM At the far end is a door to Ton's living-room; in the wall on our right is the door to Ruud's living-space. |
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TON APT (19## -) [L2- E-side]
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TON
LIVING-ROOM Ton's living-space is in the main Silo admin office. At the far left is the way to the (shared) kitchen. |
TON
LIVING-ROOM BURNT An accedental fire, started with a candle (in the newly built bed), was put out (and the damage limited to this room) using the Central-Stair fire-hose system installed by Diderick et al. |
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CLIMBING THE STAIR ... cont
On landing 3 there are two more apartments (not recorded or visited) and an 'artistically decorated' shared WC: it's rusty cistern in a frame of golden squirming curls of extruded polystyrene.
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CENTRAL
STAIR: L3 LANDING TO VILBJORG'S 'FRONT DOOR' |
CENTRAL
STAIR: L3 LANDING WC & SHOWER On landing 3 a shared wc with 'art' adornments. The extruded-foam cistern-frame demonstrates a radical associational shift - from rusty-urinal-fitting to sumptious-decor - invoked by the minimal means of a flippant doodle. |
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CLIMBING THE STAIR ... cont
On level 4 a different place begins - the end of domesticity is signalled by a huge and primative rivited-steel girder plunging diagonally from the outer wall up through the floor of the "Museum" (bracing the latter's ceiling-platform against the thrust of the 'Pyramid'). Here the character and position of everything begins to change: to go further one must enter a door (once the anti-squatters' upper limit) into what has become a small lower lobby to the weird "Museum". The open floor that once pertained here has been enclosed (as a huge studio/store-room) behind a bizarre wall like the facade of a minature medieval house; its wooden frame made without nails, the joints plugged and wedged, infilled with plastered wire-netting over insulation foam; the inner face is nailed planks. Crammed in this little ante-room to the wonders of the "Museum" are strange lesions of scale and place: massive industrial steel, the 'model-street' facade, a uniquely graceful wooden stair (of 19th C craft) sheltering the stink of a cats' lavatory; all confined in the harsh gloom-glare of a neon tube and a fat modern plastic sewer pipe's intermittent rushing gurgle.
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CENTRAL
STAIR: L3-L4: VIEW UP TO L4 FROM STAIR |
CENTRAL
STAIR: L4 - ANTE-ROOM TO MUSEUM - VIEW THROUGH LANDING DOOR |
CENTRAL
STAIR: L4 - ANTE-ROOM TO MUSEUM |
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CENTRAL
STAIR: L4 - ANTE-ROOM TO MUSEUM - STAIR TO MUSEUM |
CENTRAL
STAIR: L4 - ANTE-ROOM TO MUSEUM - STAIR TO MUSEUM |
CENTRAL
STAIR: L4-L5 - ANTE-ROOM TO MUSEUM - FROM THE STAIR TO THE MUSEUM |
CLIMBING THE STAIR ... cont
This last strange little wooden stair is our last climb to reach the great central Attic. This stair is unique in the Silo as a craft-based yet purely practical object. Made within a society that equated leisure and the domestic with useless aesthetic elaboration and expense, it is - however much it now seems 'craft-quaint' and of domestic scale - obviously made, raw and utilitarian, for workshop/industry. The climb is steep and short and every step's unique hand-made long-worn form caresses ones sense.
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